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One of the most important new trends of the time was a more common use of the sonata.
During the Classical era, the sonata evolved into a more restricted role, and in doing so, embodied the new style of musical form for the time.
The sonata originated in Italy and gradually gained popularity over the rest of Europe. During the Baroque period the sonata was composed of several dance movements, however, in the Classical era it changed to a fast-slow style movement, with each movement composed in one of four forms popular during the Classical period.
These forms consisted of sonata-allegro, rondo, ternary, and theme and variations.
The sonata is a type of chamber music, that gained popularity during the classical era. It was also during this time that the keyboard sonata evolved from harpsichord and clavichord and finally, to the piano Newman During s the popularity of piano music increased drastically.
This was because the Industrial Revolution allowed piano manufacturers to developed methods for building many more pianos at lower costs. Pianos were no longer so expensive that ownership was reserved exclusively for the wealthy.
Middle class could also own them and make music at home greatly expanding the musical audience. The sonata was still used at court and to a lesser extent in the church. These locations are mainly due to the Baroque era, however, during the Classical period the sonata took on distinctly different functions.
The sonata was basically used during small social gatherings, or as musical training. Another, and likely most important function of the sonata was as way for composers to become known.
The first composers to significantly development the sonata during the Classical era were Haydn and Mozart. Following these, he composed fourteen sonatas. It is unknown who the sonatas were written for.
They are difficult pieces to play and display few baroque concerto characteristics. Mozart also composed a number of sonatas for use in church which were written for three part strings with the organ continue. Initially these pieces were very short, however, his last church sonatas had larger orchestral support.
While living in Vienna, Mozart composed some of his greatest piano sonatas, which shared some characteristics with those composed by Bach. Mozart went on to compose more sonatas while on a trip to Mannheim and Paris.
Mozart noted that he designed the Andante to depict her. While Mozart was in Paris, he composed six more piano and violin sonatas.
These compositions reflect the local style of the time. Another composer who contributed in developing the sonata was Muzio Clementi. Clementi was an acclaimed composer known for his many keyboard pieces.
His sonatas gained popularity due to his frequent public concerts. They also show movements which demonstrate stable structure.
The movements show advancements in structural integrity and a successful blending of the diverse techniques used in previous sonatas Plantinga InClementi published three large-scale sonatas.
In his later years of composing, Clementi earned a reputation that rested almost solely on his ability to compose for the piano. Recognition of the influence Clementi had on other great composers of the sonata, such as Beethoven, has increased throughout music history.
Haydn, Mozart, and Clementi set the stage for one of the greatest master composers, Ludwig van Beethoven, who also contributed immensely to the evolution of the piano sonata.
Early in his life he established himself as a great pianist and composer for the piano. During this time Beethoven produced one of his most celebrated works, the Sonata Pathetique. During this time Beethoven composed sonatas in four movements instead of three. His later works, such as the Piano Sonates in E Minor, incorporated a new feature of intimacy and delicacy Kerman A growing interest in folk music compelled Beethoven to seek a new and more sophisticated style use for the sonata Kerman Luther and problems caused by punishing inside the classrooms Calvin on Paul's Epistle to the Galatians: an analysis A research on the history of the sonata by christian corah and comparison of substantial concepts in Luther's /35 and Calvin's.
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